Finland The Burning Point was a consistently tolerable “also-race” in Europower sweepstakes. Although there were several good albums, nothing exceptional, the band was an acceptable “also” race in Euro-power sweepstakes. However, before I heard a single note, there were serious problems with the band’s performance. They chose to re-record FOUR songs and record SIX from older albums.
The new songs are the first. The first is the new tunes. It’s loud, fun, and it’s great. Valo’s delivery is sometimes a bit slow. “Queen of Fire”, with its 80s synths, feels a little generic. It isn’t a good start to the band’s new era. These cuts are not as good as the album’s.
They chose songs that are timeless and memorable, but the new lineup doesn’t give them any extra treatment. This song is more energetic and has great lyrics.
It is the whole re-recording process that sticks with me. But another issue is how Nitte Vao is utilized. Her incredible performance at Battle Beast’s debut was unreal. The platter was memorable and enjoyable because of it. However, here she is more subdued and forced to perform a generic, mainstream power-metal version. Her contribution to Burning Point is minimal. She is not as loud and wild as she was when she was in her previous band. This begs the question, “Why did you have such wild vocal talent?” Pete Ahonen’s singing was disappointing and puzzling. This was despite Valo’s obvious talent.
Burning Point is basically a rerecorded “best of” album with a new singer and a few new songs. It’s fun, but not essential. It gives a good indication of where the band is headed, but it’s not a guarantee of success.